Streaming Three Colors: Red (1994) Online

Three Colors: Red (1994)
iMDB Rating: 8.1
Date Released : 1 December 1994
Genre : Drama, Mystery, Romance
Stars : Irène Jacob, Jean-Louis Trintignant, Frédérique Feder, Jean-Pierre Lorit
Movie Quality : BRrip
Format : MKV
Size : 700 MB

Three Colors: Red Movie Plot

Valentine is a young model living in Geneva. Because of a dog she ran over, she meets a retired judge who spies his neighbours’ phone calls, not for money but to feed his cynicism. The film is the story of relationships between some human beings, Valentine and the judge, but also other people who may not be aware of the relationship they have with Valentine or/and the old judge. Redemption, forgiveness and compassion…

Three Colors: Red Movie Trailer

Three Colors: Red Movie Review :

A Sublime Shade of Red

The last film in the Three Colors trilogy, RED, is deceptively simple, yet it rounds out everything that came before in an enlightening way. It slightly resembles THE DOUBLE LIFE OF VERONIQUE in its theme of fraternity, and in its casting of Irene Jacob, who manages to exude a sense of curious innocence and integrity. She interprets the role of Valentine, a young Swiss model and student living in Geneva and experiencing a kind of emotional limbo as she awaits her boyfriend’s return from England. Through a seemingly trivial twist of fate, she encounters a cynical retired judge (Jean-Louis Trintignant) who leads a lonely, world weary existence and eavesdrops on his neighbors’ telephone conversations. Initially she finds his detached indifference appalling, and wants to report him, but her compassionate nature enables her to comprehend the greater plight of the man, one of leading a fruitless, lovelorn life. They form a touching friendship, and this sets the stage for another turn of events. Auguste (Jean-Pierre Lorit) is young judge who is in many ways a mirror image of Trintignant’s character. He lives near Valentine, but through possible lack of synchronicity, they never meet. Upheavals in his life are accordingly similar to the old judge’s, but this time, due to the presence of the noble Valentine, an old adversity can be turned on its side, bringing fulfillment for everyone.

With Red, there is a real sense of culmination unlike any other. Wistful, melancholy, yet life-affirming, the film offers hope in world full of supposed mistaken paths. Tritignant remarked on Kieslowski’s talents in augmenting the emotions of the actors through his technique: "I’m very pleased with my work on this film – and I don’t think it had a lot to do with me. For example, at the end of the film when my character goes to the window, looks outside, and starts to cry – I couldn’t do it, I couldn’t summon the tears. I tried to make myself cry but couldn’t manage it. Krzysztof called the make-up lady who shot menthol into my eyes. We shot the scene and Krzysztof said ‘It’s good, next shot.’ Recently I saw the finished film. I waited anxiously for this scene. And I cried when I saw myself."

Tritignant’s nuanced portrayal is augmented by equally good work from Jacob who bears insight into her role as well: "Something really great about RED are the ‘non-encounters’ between Auguste and Valentine. They pass each other without ever meeting. They might be great for each other but they never meet. It reminds me of THE DOUBLE LIFE OF VERONIQUE where the two identical Veroniques are face to face but don’t see each other. In RED this idea is reflected by the way Valentine can’t face up to her life, her love, her sorrows. How can Auguste see her, or she him? How can they both release themselves from this blindness?"

The uplifting aura of this film shines even brighter given the pettiness with which the Academy of Motion Picture Arts and Sciences brushed it off. Due to the fact that is a multinational co-production, with a Polish director, mixed Swiss and French cast and crew, Red was not allowed to compete for a Best Foreign Language Film Oscar as a film from Switzerland. Indeed, the trilogy itself is without a country as it transcends borders and even culture in its solemn inquiry into human nature and that is a prize in itself.

Watch The Lion King (1994) Online

The Lion King (1994)
iMDB Rating: 8.5
Date Released : 24 June 1994
Genre : Animation, Adventure, Drama, Family, Musical
Stars : Matthew Broderick, Jeremy Irons, James Earl Jones, Whoopi Goldberg
Movie Quality : HDrip
Format : MKV
Size : 700 MB

The Lion King Movie Plot

A lion prince, Simba, is born in Africa and the animals of the Pride Lands pay tribute. Later Simba is told by his father, King Mufasa, that when Mufasa dies, Simba will become King of the Pride Lands. Simba’s Uncle Scar would have been king after Mufasa had Mufasa not had a child. Fuelled by rage, Scar plots to kill Mufasa and Simba so he is able to take over the throne. He uses the hyenas to cause a stampede through the canyon where Mufasa and Simba are, and personally ensures Mufasa falls to his death. Simba survives so Scar implies that the stampede was Simba’s fault and that the pride will blame him. Simba flees the Pride Lands meaning never to return home. Simba is found, collapsed with exhaustion, by Timon the Meerkat, and Pumbaa the Warthog, and the trio become fast friends. Simba stays with them well into adulthood until his childhood friend, Nala, hunting beyond the Pride Lands that herds had deserted under Scar’s mismanagement stumbles upon Simba’s new home. Astonished to …

The Lion King Movie Trailer

The Lion King Movie Review :

The Best Animated Film I Have Ever Seen

The Lion King is a great film. Along with a great story (inspired by William Shakespeare’s Hamlet), terrific animation, and an all star cast of voices, there are the lessons that are learned from this film (despite being a little rough for the younger children). Like responsibility and honor.

I rank this animated film among the great films I have ever seen. It was part of my childhood and it is a film experience I will never forget. And hopefully, you won’t either. A++

Watch Léon: The Professional Online

Léon: The Professional (1994)
iMDB Rating: 8.7
Date Released : 18 November 1994
Genre : Crime, Drama, Thriller
Stars : Jean Reno, Gary Oldman, Natalie Portman, Danny Aiello
Movie Quality : HDrip
Format : MKV
Size : 700 MB

Léon: The Professional Movie Plot

Mathilda, a twelve-year old New York girl, is living an undesirable life among her half-family. Her father stores drugs for two-faced cop Norman Stansfield. Only her little brother keeps Mathilda from breaking apart. One day, Stansfield and his team take cruel revenge on her father for stretching the drugs a little, thus killing the whole family. Only Mathilda, who was out shopping, survives by finding shelter in Léon’s apartment in the moment of highest need. Soon, she finds out about the strange neighbour’s unusual profession – killing – and desperately seeks his help in taking revenge for her little brother. Léon, who is completely unexperienced in fatherly tasks, and in friendships, does his best to keep Mathilda out of trouble – unsuccessfully. Now, the conflict between a killer, who slowly discovers his abilities to live, to feel, to love and a corrupt police officer, who does anything in his might to get rid of an eye witness, arises to unmeasurable proportions – all for the …

Léon: The Professional Movie Trailer

Léon: The Professional Movie Review :

Gripping story with well-crafted characters

Luc Besson’s movie Léon (The Professional) gives us an intense story which is maximized in potential by the casting of the movie done by Todd Thaler. Every aspect of the movie delivers to the audience and makes an impressive overall package. Jean Reno plays a character named Léon who has learned to repress his emotions in order to perform his job as a "cleaner", or hit-man. His secluded world is shattered by the young girl named Mathilda who lives on the same floor as he does in an apartment building. When she turns to him for help, he learns about living a normal life, even if the circumstances which unite them are far from normal.

The performance delivered by then twelve-year old Natalie Portman as Mathilda is nothing short of brilliant. Her ability to relate to others with body movement and facial gestures is matched by few, she really brings raw emotion and believability to a difficult role. Mathilda and Léon are unexpectedly thrown together, but learn to value life from their chance encounter, and how valuable a friendship can be.

Jean Reno as Léon gives us a solemn and calculated character who sets all of his energy on his assignments until her is given something else to care about. Mathilda gives him the daughter that he never had, while Léon serves as a father and friend to her. Gary Oldman, as the corrupt DEA Agent Norman Stansfield, offers the viewers an amazingly wired and electrical performance which pushes the envelope. He moves the story along by his actions. Oldman offers us a memorable portrait of a sadistically obsessed man who stops short of nothing to get what he wants.

The Professional is what movie-making is all about. Without the overuse of special effects, a large shooting location, or a commercially star studded cast, we are given all that could possibly be asked for in a movie. Portman, Oldman, and Reno, along with Danny Aiello as the hit-contractor Tony remind us that there is no substitute for great acting. There are elements of comedy, drama, and action, and great original music by Eric Serra adds to the energy the film already encapsulates. The most impressive thing about the movie is its story which is basic but is maximized by all the other elements which go into the making of the movie. Simply put, an intense and impressive movie.

Streaming Forrest Gump (1994) Online

Forrest Gump (1994)
iMDB Rating: 8.8
Date Released : 6 July 1994
Genre : Drama, Romance
Stars : Tom Hanks, Robin Wright, Gary Sinise, Sally Field
Movie Quality : HDrip
Format : MKV
Size : 870 MB

Forrest Gump Movie Plot

Forrest Gump is a simple man with a low I.Q. but good intentions. He is running through childhood with his best and only friend Jenny. His ‘mama’ teaches him the ways of life and leaves him to choose his destiny. Forrest joins the army for service in Vietnam, finding new friends called Dan and Bubba, he wins medals, creates a famous shrimp fishing fleet, inspires people to jog, starts a ping-pong craze, create the smiley, write bumper stickers and songs, donating to people and meeting the president several times. However, this is all irrelevant to Forrest who can only think of his childhood sweetheart Jenny Curran. Who has messed up her life. Although in the end all he wants to prove is that anyone can love anyone.

Forrest Gump Movie Trailer

Forrest Gump Movie Review :

A beautiful fable for now and the future

I believe everyone has a right to their opinion about films or other topics. However from a lot of the comments I have read about this film, I do not think many got the gist of the message from the author and the film maker. This film is a great modern fable, a fable in the dictionary is defined as a brief fictitious story that teaches a moral. There are many morals defined in this film but foremost is integrity and a simple goodness.

I have a half brother who grew up in the Southern U.S. and on one occasion we were discussing this film and he said he felt it portrayed Southerners as dimwitted. I disagreed with him and informed him that the author himself was a native Southerner. The setting is central to this story in that it lets the tale unfold tying in factual events with the fable before us.

The film is wonderfully directed by Robert Zemeckis, the film is his opus and is acted by a great cast on all levels. From the children who were Forrest Gump and Gump Jr. by Haley Joel Osment. Say what you want but I feel Tom Hanks deserved the Oscar award. Gary Sinise is synonymous with Lt.Dan whenever you hear those words. Sally Fields is the loving dutiful mother in her challenging situation. Mykelti Williamson as Bubba gives you a real sense in the story that Gump had a genuine friend, he moves you with his character. Words don't grasp the full performance of Robin Wright Penn as Jenny. Jennys' tenderness and pain are palpable as exhibited by Wright.

I feel that much of Gumps' appeal is his downright sense of doing the right thing regardless of the people and situations around him and we see that in this film. That being the case maybe we all wish we could be just a little more like that, trying to maintain innate goodness and not the trade-offs we often make as we go down lifes highways.

The movie has it all too,drama,comedy and it challenges societal norms as well. Then there are the almost endless quotes from the movie that have slipped into everyday speech. They are too numerous to say at this point.One of the toppers for me in the movie is when Forrest is in a quandary about life and wondering as Lt.Dan said we all have a destiny and his Mom says it is where we are all just floating around like a feather in the wind. Forrest's character terms it very well with this quote,"I think it is a little bit of both." From my experiences in life it does appear to be that way. So if you have not seen the movie,see it soon you are in for a real treat. If you did not like it, give it a try again and hopefully you will see it for the great story it is!

Watch Pulp Fiction (1994) Online

Pulp Fiction (1994)
iMDB Rating: 9.0
Date Released : 14 October 1994
Genre : Crime, Drama, Thriller
Stars : John Travolta, Uma Thurman, Samuel L. Jackson, Bruce Willis
Movie Quality : BRrip
Format : MKV
Size : 870 MB

Pulp Fiction Movie Plot

Jules Winnfield and Vincent Vega are two hitmen who are out to retrieve a suitcase stolen from their employer, mob boss Marsellus Wallace. Wallace has also asked Vincent to take his wife Mia out a few days later when Wallace himself will be out of town. Butch Coolidge is an aging boxer who is paid by Wallace to lose his next fight. The lives of these seemingly unrelated people are woven together comprising of a series of funny, bizarre and uncalled-for incidents.

Pulp Fiction Movie Trailer

Pulp Fiction Movie Review :

The masterpiece without a message

One of the early scenes in "Pulp Fiction" features two hit-men discussing what a Big Mac is called in other countries. Their dialogue is witty and entertaining, and it's also disarming, because it makes these two thugs seem all too normal. If you didn't know better, you might assume these were regular guys having chit-chat on their way to work. Other than the comic payoff at the end of the scene, in which they use parts of this conversation to taunt their victims, their talk has no relevance to anything in the film, or to anything else, for that matter. Yet without such scenes, "Pulp Fiction" wouldn't be "Pulp Fiction." I get the sense that Tarantino put into the film whatever struck his fancy, and somehow the final product is not only coherent but wonderfully textured.

It's no wonder that fans spend so much time debating what was in the suitcase, reading far more into the story than Tarantino probably intended. The film is so intricately structured, with so many astonishing details, many of which you won't pick up on the first viewing, that it seems to cry out for some deeper explanation. But there is no deeper explanation. "Pulp Fiction," is, as the title indicates, purely an exercise in technique and style, albeit a brilliant and layered one. Containing numerous references to other films, it is like a great work of abstract art, or "art about art." It has all the characteristics we associate with great movies: fine writing, first-rate acting, unforgettable characters, and one of the most well-constructed narratives I've ever seen in a film. But to what end? The self-contained story does not seem to have bearing on anything but itself.

The movie becomes a bit easier to understand once you realize that it's essentially a black comedy dressed up as a crime drama. Each of the three main story threads begins with a situation that could easily form the subplot of any standard gangster movie. But something always goes wrong, some small unexpected accident that causes the whole situation to come tumbling down, leading the increasingly desperate characters to absurd measures. Tarantino's originality stems from his ability to focus on small details and follow them where they lead, even if they move the story away from conventional plot developments.

Perhaps no screenplay has ever found a better use for digressions. Indeed, the whole film seems to consist of digressions. No character ever says anything in a simple, straightforward manner. Jules could have simply told Yolanda, "Be cool and no one's going to get hurt," which is just the type of line you'd find in a generic, run-of-the-mill action flick. Instead, he goes off on a tangent about what Fonzie is like. Tarantino savors every word of his characters, finding a potential wisecrack in every statement and infusing the dialogue with clever pop culture references. But the lines aren't just witty; they are full of intelligent observations about human behavior. Think of Mia's statement to Vincent, "That's when you know you've found somebody special: when you can just shut the f— up for a minute and comfortably enjoy the silence."

What is the movie's purpose exactly? I'm not sure, but it does deal a lot with the theme of power. Marsellus is the sort of character who looms over the entire film while being invisible most of the time. The whole point of the big date sequence, which happens to be my favorite section of the film, is the power that Marsellus has over his men without even being present. This power is what gets Vincent to act in ways you would not ordinarily expect from a dumb, stoned gangster faced with an attractive woman whose husband has gone away. The power theme also helps explain one of the more controversial aspects of the film, its liberal use of the N-word. In this film, the word isn't just used as an epithet to describe blacks: Jules, for instance, at one point applies the term to Vincent. It has more to do with power than with race. The powerful characters utter the word to express their dominance over weaker characters. Most of these gangsters are not racist in practice. Indeed, they are intermingled racially, and have achieved a level of equality that surpasses the habits of many law-abiding citizens in our society. They resort to racial epithets because it's a patter that establishes their separateness from the non-criminal world.

There's a nice moral progression to the stories. We presume that Vincent hesitates to sleep with Mia out of fear rather than loyalty. Later, Butch's act of heroism could be motivated by honor, but we're never sure. The film ends, however, with Jules making a clear moral choice. Thus, the movie seems to be exploring whether violent outlaws can act other than for self-preservation.

Still, it's hard to find much of a larger meaning tying together these eccentric set of stories. None of the stories are really "about" anything. They certainly are not about hit-men pontificating about burgers. Nor is the film really a satire or a farce, although it contains elements of both. At times, it feels like a tale that didn't need to be told, but for whatever reason this movie tells it and does a better job than most films of its kind, or of any other kind.